April 22, 2007
On a recent visit to Paris, I finally went to see Bourriaud’s Palais du Tokyo, and was so happy to come away inspired, primarily by Post Patman, an organic intallation by Michel Blazy. Walking through the huge warehouse like space that holds his work felt a bit like walking through the end of the world – the rot, decay and strange organic mutation was eerily, abjectly beautiful.
“A builder of random, fragile universes, Michel Blazy likes to manipulate materials, to attempt to control their disappearance and transformation, or on the contrary to be completely dependent on them. The micro events to which the adventure gives rise are crucial to the unfolding journey: instances of intentional or accidental germination, of the desiccation and decline of materials, of microscopic molds and rots, of the deterioration of surfaces, of the degeneration, transmutation or decrepitude of forms – all these febrile energies of living matter are claimed by the artist as operations crucial to the elaboration of the work.” from the programme du Palais de Tokyo.